Consortium member Kenneth Sparr has just published ‘Barthélemy Trille Labarre, ‘Professeur de Guitare et Compositeur, Éléve d’Haydn’, Biography and Catalogue of Works’, in The Lute, lvi (2016), with an immense fund of new information. We are also delighted to announce a lavishly-documented article on the guitarist Vidal, by Consortium member Damián Martín Gil, entitled “‘The Famous Vidal’: New Light on the Life and Works of a Guitarist in Eighteenth-Century France”, just been published in Eighteenth Century Music, 18/1 (2021), 123-149.
The latest issue of Soundboard Scholar (nr 6, 2020), the only peer-reviewed journal of guitar studies, published by the Guitar Foundation of America, includes two articles by members of the Consortium and an excellent review of the recent book on the guitar in Finland by one of our newly elected members, Jukka Savijoki. The articles are by Erik Stenstadvold, “Sor’s Guitar Music—a Fresh Start”, presenting the background to his new edition of Sor’s works for guitar, and Damián Martín Gil, “Unraveling the Discussion entre les Carulistes et les Molinistes (Paris, 1828)”. The review of Jukka’s book So that the Soul Would Dance in You is by Kenneth Sparr. The issue can be ordered here. Articles can be ordered here.
With the publication of The Guitar in Georgian England: A Social and Musical History (Yale University Press, 2020) Christopher Page has completed the trilogy of books on the guitar in England he began in 2010.
More information can be found here.
We are delighted to announce the election of six new members to the Consortium: Jan van Cappelle, Sarah Clarke, Nicoletta Confalone, Damián Martín, Samantha Muir and Jukka Savijoki. See the Members page.
The 2020 Andrew Britton Fellowship winner is Damián Martín Gil. Damián (b. 1978) earned a Diploma in Classical Guitar (2002), BA in Physical Education (2002) and MA in Classical Guitar Performance (2008). He won the first prize at the “Young Performers of Extremadura” competition in 2001 and has obtained grants from institutions such as Junta de Extremadura, Caja Badajoz, Fundación Antonio Gala and The Research Council of Norway.
Since 2010 he has been teaching guitar at the Conservatory ‘Hermanos Berzosa’ in Cáceres (Spain). He is presently also completing a master’s degree in historical musicology at La Rioja University (Spain) with a thesis analyzing the guitar technique in Paris in the times of La Guitaromanie.
His articles have been published in leading guitar journals such as Il Fronimo (Italy) and Soundboard Scholar (USA). He has also presented papers at various international conferences including the Lake Konstanz Guitar Research Meeting, the Norwegian Guitar Conference in Oslo and the ‘Norba Caesarina’ Guitar Festival (Spain).
This year’s competition drew excellent candidates from many countries, including Guatemala, America, and Israel. each submitting a wide range of research proposals. Damián will give a paper at the next Consortium meeting in April 2020.
Consortium member Luis Briso de Montiano published an article on the part of Dionisio Aguado’s personal library that has survived in the in the legacy of guitarist Rosario Huidobro. The article was published in ‘Roseta’, the journal of the Sociedad Española de la guitarra, in Spanish; see here. A pdf of the article can be found here.
Brian Whitehouse, Patron of the Consortium, has just published a magnificently illustrated study, accompanied by a CD, of the many musical and personal dealings between Dr. Walter Leckie and Francisco Tárrega.
The book is available from the Classical Guitar Centre.
Christopher Page’s new book, The Guitar in Georgian England: A Social and Musical History is now in press and will be published by Yale University Press in 2020.
The Consortium for Guitar Research, an affiliate of the Royal Musical Association of Great Britain, now invites applications from guitar researchers, at an early stage of their work, for a Fellowship in memory of Dr. Andrew Britton. The Fellowship comes with funding for board and lodging, and thanks to the intervention of a generous benefactor, Mr Jeff Wells, now includes a contribution to travel costs up to £350. The three-day colloquium of the Consortium, to which the successful candidate will be invited, will run from Saturday 4 April to Monday 6 April 2020 and be based in Sidney Sussex College, Cambridge. This award provides an opportunity to share ideas with a group of acknowledged experts in the field. See www.guitarconsortium.wordpress.com for more information regarding the Consortium and its members.
The recipient is expected to give a 30 minute paper at the Consortium conference and subsequently to prepare a succinct report on their work for placing on the Consortium website.
Applicants are invited to submit their CV, and a 400 word (maximum) statement describing their latest research and why this award would be useful to them. Please send applications via email, in a Word or PDF document, to Dr James Westbrook email@example.com by Sunday 1 December 2019. The chosen candidate will be notified by Friday 20 December 2019 and will be asked to accept the place by Friday 10 January 2020 and to give, in their message of acceptance, an estimate of travel costs. It is the responsibility of the candidate to ensure any necessary visas are in place. See also The Cohort.
Dr Andrew Britton was a Founding Member of the Consortium. His PhD thesis The guitar in the romantic period: its musical and social development, with special reference to Bristol and Bath is a benchmark to all new Scholars and is available online on the British Library Ethos site.
Erik Stenstadvold’s acclaimed reference book, An Annotated Bibliography of Guitar Methods, 1760-1860, which has been out of print for some time, is now available again from the publishers, Pendragon Press.
Erik Stenstadvold has recently produced a new edition of Antoine Lhoyer’s Six Exercices, op. 27 (Paris 1812), published by Guitar Heritage (www.guitarheritage.com).